{"id":5801,"date":"2021-04-21T12:30:39","date_gmt":"2021-04-21T10:30:39","guid":{"rendered":"https:\/\/francescosomaini.org\/aria\/"},"modified":"2021-06-03T11:40:38","modified_gmt":"2021-06-03T09:40:38","slug":"aria","status":"publish","type":"page","link":"https:\/\/www.francescosomaini.org\/en\/tecniche\/aria\/","title":{"rendered":"Air"},"content":{"rendered":"\n<hr class=\"wp-block-separator has-text-color has-background has-palette-color-5-background-color has-palette-color-5-color\"\/>\n\n\n\n<div class=\"wp-block-ugb-columns ugb-columns ugb-5ea8baa ugb-columns--design-plain ugb-columns--columns-2 ugb-main-block\"><style>.ugb-5ea8baa > .ugb-inner-block > .ugb-block-content > .ugb-columns__item{grid-template-columns:0.30fr 1.70fr !important}<\/style><div class=\"ugb-inner-block\"><div class=\"ugb-block-content\"><div class=\"ugb-columns__item ugb-5ea8baa-content-wrapper\">\n<div class=\"wp-block-ugb-column ugb-column ugb-a76dbb4 ugb-column--design-plain ugb-main-block\"><div class=\"ugb-inner-block\"><div class=\"ugb-block-content\"><div class=\"ugb-column__item ugb-a76dbb4-column-wrapper\"><div class=\"ugb-column__content-wrapper\"><\/div><\/div><\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-ugb-column ugb-column ugb-22f4a3e ugb-column--design-plain ugb-main-block\"><div class=\"ugb-inner-block\"><div class=\"ugb-block-content\"><div class=\"ugb-column__item ugb-22f4a3e-column-wrapper\"><div class=\"ugb-column__content-wrapper\"><ul class=\"subpage-menu\"><li class=\"\"><a href=\"https:\/\/www.francescosomaini.org\/en\/tecniche\/terra\/\">Earth<\/a><\/li><li class=\"active\"><a href=\"https:\/\/www.francescosomaini.org\/en\/tecniche\/aria\/\">Air<\/a><\/li><li class=\"\"><a href=\"https:\/\/www.francescosomaini.org\/en\/tecniche\/fuoco\/\">Fire<\/a><\/li><li class=\"\"><a href=\"https:\/\/www.francescosomaini.org\/en\/tecniche\/acqua\/\">Water<\/a><\/li><\/ul>\n<\/div><\/div><\/div><\/div><\/div>\n<\/div><\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-ugb-columns ugb-columns ugb-30991e5 ugb-columns--design-plain ugb-columns--columns-2 ugb-main-block\"><style>.ugb-30991e5 > .ugb-inner-block > .ugb-block-content > .ugb-columns__item{grid-template-columns:0.30fr 1.70fr !important}<\/style><div class=\"ugb-inner-block\"><div class=\"ugb-block-content\"><div class=\"ugb-columns__item ugb-30991e5-content-wrapper\">\n<div class=\"wp-block-ugb-column ugb-column ugb-7634c31 ugb-column--design-plain ugb-main-block\"><div class=\"ugb-inner-block\"><div class=\"ugb-block-content\"><div class=\"ugb-column__item ugb-7634c31-column-wrapper\"><div class=\"ugb-column__content-wrapper\">\n<h3 class=\"wp-block-heading\">Air<\/h3>\n<\/div><\/div><\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-ugb-column ugb-column ugb-2792acf ugb-column--design-plain ugb-main-block\"><div class=\"ugb-inner-block\"><div class=\"ugb-block-content\"><div class=\"ugb-column__item ugb-2792acf-column-wrapper\"><div class=\"ugb-column__content-wrapper\">\n<p class=\"wp-block-paragraph\"><em><em>During the years 1961-62 I carried out some experiments to see if the phenomenon of (natural) erosion could be reproduced, if it was possible to recreate this process in my studio, and accelerate it. I did some of these experiments in factories where a sand jet was used to clean slag from steel fusions. Later in 1963 I built a sandblasting cabin in my studio equipped with all those tools that could give me satisfactory results and, in that same year, I began to work on sculptures on which I partially cut into with a sand jet. I used sandblasting especially to finish details. In 1964 I modified the previous cabin increasing power and creating a more complex and powerful sandblasting installation. In 1965-66 I created the first big monumental sculpture using a sand jet on the whole surface. It was the Monumento a marinai d\u2019Italia [\u2026]. In the following years I developed my equipment [\u2026] and I started using this technique more and more often with increasingly interesting results.<\/em><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>(Francesco Somaini)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background is-style-wide\" style=\"background-color:#363636;color:#363636\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"aria\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/AIXPof508AA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div><\/div><\/div><\/div><\/div>\n<\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Air During the years 1961-62 I carried out some experiments to see if the phenomenon of (natural) erosion could be reproduced, if it was possible to recreate this process in my studio, and accelerate it. I did some of these experiments in factories where a sand jet was used to clean slag from steel fusions. [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":5835,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-5801","page","type-page","status-publish","hentry"],"blocksy_meta":{"page_title_panel":"","has_hero_section":"enabled","7e593f47719ea1569305cac537caf90f":"","hero_section":"type-2","hero_elements":[{"id":"custom_title","enabled":true,"heading_tag":"h1","title":"Home"},{"id":"custom_description","enabled":true,"description_visibility":{"desktop":true,"tablet":true,"mobile":false}},{"id":"custom_meta","enabled":false,"meta_elements":[{"id":"author","enabled":true,"label":"By","has_author_avatar":"yes","avatar_size":25},{"id":"post_date","enabled":true,"label":"On","date_format_source":"default","date_format":"M j, 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I did some of these experiments in factories where a sand jet was used to clean slag from steel fusions. Later in 1963 I built a sandblasting cabin in my studio equipped with all those tools that could give me satisfactory results and, in that same year, I began to work on sculptures on which I partially cut into with a sand jet. I&hellip;<\/p>\n","category_list_v2":"","author_info_v2":{"name":"mavida","url":"https:\/\/www.francescosomaini.org\/en\/author\/mavida\/"},"comments_num_v2":"0 comments","acf":[],"_links":{"self":[{"href":"https:\/\/www.francescosomaini.org\/en\/wp-json\/wp\/v2\/pages\/5801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.francescosomaini.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.francescosomaini.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.francescosomaini.org\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francescosomaini.org\/en\/wp-json\/wp\/v2\/comments?post=5801"}],"version-history":[{"count":1,"href":"https:\/\/www.francescosomaini.org\/en\/wp-json\/wp\/v2\/pages\/5801\/revisions"}],"predecessor-version":[{"id":5823,"href":"https:\/\/www.francescosomaini.org\/en\/wp-json\/wp\/v2\/pages\/5801\/revisions\/5823"}],"up":[{"embeddable":true,"href":"https:\/\/www.francescosomaini.org\/en\/wp-json\/wp\/v2\/pages\/5835"}],"wp:attachment":[{"href":"https:\/\/www.francescosomaini.org\/en\/wp-json\/wp\/v2\/media?parent=5801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}